What’s the difference in Small Publishing, and being an Indie Author?

2009 January 4
by zoewinters

Well, if you do it right, in the reader’s eyes: Nothing.

When speaking against “self-publishing” (God I hate that word, but it’s what most people call it), there are countless examples given of why self-publishing is bad and why most self-published work sucks. But so? Who cares? I mean really. Who. Cares? Further, who knows?

Writers for the most part know the names of every imprint of every major publisher in the genre they write in. Further they usually know the names of most of the smaller respectable publishers and epubs in their genre. But . . . the average non-writing reader does not. They don’t know and they don’t care.

Sure they know who Random House is. But if you say: “Quick, who published your favorite novelist’s last book?” They will look at you like this: O.o

They don’t know. And they couldn’t tell you even if you threatened their life or kidnapped their children and made the correct answer (without looking) the ransom. What does this mean for you as an indie author?

It means, it doesn’t MATTER how much 95% of what is self-published sucks, as long as YOUR work doesn’t suck, readers don’t care. So I have my own little imprint that I started. Down the street from me (metaphorically speaking), there is a small press that puts out maybe 3 books a year. What distinguishes them, in the reader’s mind, from me? Nothing. Not one damn thing.

So this is something that mildly irritates me. The idea that if you publish your own work, it will somehow paint a scarlet S (for self-published) on you. And you will sell fewer books than if a small publisher (who can’t afford to market you any better than you can) were to publish you. Hell, there are some readers who don’t even know what Authorhouse or iuniverse is. So even if you don’t have your own imprint, with a whole demographic of readers you still aren’t screwed. And there are many who don’t care.

Here is the ONLY thing a reader cares about: A GOOD BOOK. Period. End of story. They do not care who the publisher is. They don’t understand all the bizarre politics of our industry. They have no idea about all these little cliques and weird oneupmanship games we have going on. And even if they did, they probably still wouldn’t care.

An unknown author published by a major publisher, faces the same challenge an unknown author published by a small publisher or published by their own imprint faces: gaining reader trust. If a reader doesn’t know you or your work, they don’t know if they like you. So make it easy for them.

Give them a good-looking cover. However you have to do that.

Give them a good interior layout, however you have to do that.

Some people have an eye for design and some people don’t. Some people can get by on their own skills and some people can’t.

KEPT is by no means “perfect” in design or layout. I am a work in progress. But KEPT was a free ebook and I couldn’t “afford” to hire a top notch cover artist and interior layout artist, so I had to learn enough to get by, and I’m still on that learning curve.

I will say don’t do your own editing. Because we all need more than one pair of eyeballs to examine our work and help us polish it. I won’t tell you how to get this accomplished. If you’re smart enough to figure out everything else, you’re probably smart enough to know how to have your work properly edited. And probably without mortgaging your house to do it.

Give readers a high quality product. Give free samples, give free podcasts. Build trust in the reader by giving SOMETHING to them that lets them try before they buy. And maintain the trust you gain. Because while another writer may hear that you’re an indie and decide to compare you against every supposedly superior NY published book they’ve ever read, readers don’t do that.

Each book gets it’s own trial by a jury of readers. You’re innocent until proven guilty. Don’t be proven guilty. Create a great book. And build a reader base that trusts you. Then don’t betray that trust. Much harder than it sounds, I know. Still, if you wanted to do something easy, you would have taken up brain surgery, not publishing.

18 Responses leave one →
  1. 2009 January 4

    Ye gads, so much of this ‘how to get published’ stuff leaves me cold :-o Like, geez, I just wanna write, dude! (with Neil – Young Ones – voice).

    Still, if you wanted to do something easy, you would have taken up brain surgery, not publishing.

    BAHAHAHA.

  2. 2009 January 4
    robinaltman permalink

    Ha, Naomi!!! :) Zoe, I think you’re completely right about readers not giving a crap, or even knowing the difference between this or that publishing house.

    How about a post on the logistics of making a podcast in the future? I’m thinking I should do that now, and I’m unclear how to go about it.

  3. 2009 January 4

    OOoooh Robin I’m in the process of creating a vid out of one of my stories – I have the mp3, just need the still photos to go with it. Even got me permission to use someone else’s music mp3 in it *dance*

  4. 2009 January 5
    Zoe Winters permalink

    Naomi, me too! (about leaving cold) It sapped the joy right out of writing for me. I couldn’t motivate myself to get anything done because the whole thing just seemed so pointless.

    I understand people get on the rah rah train with “you can do it, you can do it” but the truth is, not everyone will get published the traditional way. EVEN IF they are really good writers.

    And writing “to a market” instead of what’s in your head and heart to write, to me is a soulless and pointless exercise. If what I like happens to be marketable to a huge audience, that’s great, dude. But if it isn’t, that doesn’t mean what I have to say is somehow less valuable or shouldn’t be said or put in print.

    There are only so many publishing slots with NY publishers. Period. And they want books that will sell a certain amount. The odds are insane, and to me it’s just not a path worth traveling. I know other people’s mileage may vary, and that’s fine. Me not wanting something isn’t meant to invalidate those who do.

  5. 2009 January 5

    Hey Naomi, would you like to do a post for us on this topic?

    The vid thing?

  6. 2009 January 5

    Hey, Robin, I am far from knowledgable on the podcasting thing. I have some friends who are, but that’s not the same thing.

    Though I do know where to send people for knowledge on the topic. (It’s just be so long since I’ve read about it that the knowledge isn’t fresh in my mind)

    So I could do a resource post to point people in the right direction if they want to podcast. I at least have enough knowledge fora blog post. :P

  7. 2009 January 5
    robinaltman permalink

    Naomi, that sounds way cool! The pictures and music are a terrific idea!

    Zoe, I personally and selfishly would love a resource post for podcasting. That would be wonderful. (Is it just me, or does it sound like aliens are involved?)

  8. 2009 January 5

    Yes, Robin, aliens are involved. But now I’ll have to have your memory erased of that knowledge. I’m sorry, you’re a friend. But you know how the aliens can be, I’m sure. :P

    And sure, I’ll do a post on it! I have a guest blog in the queue I have to post, but after that, sure!

  9. 2009 January 5

    Zoe, as long as you’re happy to wait until I actually manage to achieve said project (could be months, the way work’s going), I’d love to.

    Hope these little things help in the here and now though:

    There’s a simple mixing/fixing tool called WavePad – free and fairly easy to use. You can plug in .wav files or record straight from the mike, then convert to mp3, add music, whatever.

    One tip for speaking into a mike – don’t hold it right in front of your mouth, or you end up getting all the breaths and pops in your sound file. Hold mike under chin or to the side of your mouth, cheek area.

    See? I knew that doing radio school would come in handy some day.

  10. 2009 January 5

    PS. I think I might’ve mentioned this another time, but my creativity only broke loose in writing when I decided, “Fuck it. Whatever I decide to write, I’ll write. And I’ll publish it online, and damn the critics!” :-D

  11. 2009 January 5

    PS. I think I might’ve mentioned this another time, but my creativity only broke loose in writing when I decided, “Fuck it. Whatever I decide to write, I’ll write. And I’ll publish it online, and damn the critics!”

    Amen and hallelujah and praise the Lord.

    Precisely.

  12. 2009 January 5

    Zoe, Nicely said.
    I especially like the point about asking readers who published their favorite book. I’ve always said, not being on the display shelves of B&N is a marketing problem and not a distribution problem. (If I was burried in the back, I likely wouldn’t sell many, even though customers can buy me on the spot.) I wholeheartedly agree about the need for proper editing and competent layout and cover design. Our (Us Indies) problem is Buzz. If the main critics at the big papers will not even consider reviewing our work, no matter how many awards we win, it is a hard roadblock to overcome. We simply must support each other. Again, it is hard to do so if we don’t respect the quality of work of our fellow Indie. So, I appreciate your candor.

    Ara 13, author of Drawers & Booths, an IPPY “Outstanding Book of the Year.”

  13. 2009 January 6

    Between Z’s original article and the comments, I think this might be my favorite blog post ever. I’d like to especially second MoJo’s “Amen and hallelujah and praise the Lord” to Naomi’s words

  14. 2009 January 6

    hehe Naomi, I knew about the chin thing, I used to do internet radio, but I didn’t know about the cheek thing for the mic. Thanks!

    Also, sure! Whenever you’re ready just send it on.

  15. 2009 January 6

    And good for you! I think that’s so true, the pressure to ‘write for NY’ is completely stifling to me. I understand that it isn’t for other people, but for me it is. So I can’t do it.

  16. 2009 January 6

    Oh Ara, that is such a lovely point!

    About it being a marketing problem and not a distribution problem. The distribution channels are in place for indies. One just needs to have written something truly good, and be able to get the word out. And there are so many avenues for building an audience now, especially through the internet, that it doesn’t require tens of thousands of dollars to build a following.

    I agree with you on reviews, but so many papers are dropping or shrinking their review section, that the chances of most books, even most NY pubbed books getting reviews in these sources, is becoming slimmer and slimmer. So most of the midlist is in the same boat as we are in a lot of these areas.

  17. 2009 January 6

    Thanks, Kel. :D

  18. 2009 January 6

    Also, hey Mojo! Not leaving you out, just dont’ have anything to say but “yes, true.” hehe.

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